How to Say Hello and Goodbye in French

 

Whether it was a pair of combat pants or a snazzy logo-laden T-shirt, French Connection dominated the logo-laden zeitgeist of the Nineties with its arresting FCUK branding that tapped into the slogan-happy culture. But as fashion moved from combative and exuberant to something more staid and safe, the brand’s attention-grabbing tactics faded with the logo-adorned clothing.

Today, the brand – owned by billionaire Mike Marks since 2002 – is turning the lights out on 14 of its stores in locations such as Bluewater and Brent Cross shopping centres. A recent re-launch of its homeware collection and plans to expand into China and India suggest that the brand is not yet FCUKed out, but it’s a close call.

While this may seem like an obvious point, it’s important to note that the different ways of saying hello in France can vary based on context and formality. Bonjour, enchante, or enchantee are all appropriate for a friendly meeting with friends. But it’s best to stick with bonjour in a business setting.

If you run into your co-worker at the cafeteria for the second time that day, it’s appropriate to greet them with rebonjour instead of bonjour again. This is a great option to use in a professional setting and shows that you are a person who values good manners and proper social grace.

When greeting someone for the first time, it’s polite to ask how they are doing. In French, this is a common question and can be The french connection kissed answered with salut (hello), coucou (hey), or ca va? (how are you?)

This is a casual way to say hello and can be used with close friends. But if you’re talking to strangers, it might come across as rude. It’s also a good idea to learn how to say goodbye in French so you can part ways properly, which can be a tricky thing to do in the language. To say goodbye, try aurévoir (goodbye), au revoir (goodbye) or à demain (see you tomorrow).

The film’s famous car chase sequence is a highlight of William Friedkin’s hard-hitting and realistic New York City drama. The scene was shot without permits in real-life traffic and, unlike many Hollywood car chases of the period, it lives up to its reputation as a gripping sequence that truly captures a chaotic urban streetscape.